10 February 2011 Journal Page and Getting Some Stuff off my Chest
I've experienced a lot of things in my 14 year teaching career (some bad, but mostly all good). I've learned an awful lot in that time period, too.
One of my biggest lessons is that I've learned to let go. I've learned that holding onto things that you can't control doesn't help you or those around you.
I've learned that the number one priority of a teacher is to teach. You can't worry about what will happen to the material once you've let it out into the world. Besides, nothing is original. Really. There, I've said it! NOTHING IS ORIGINAL. It's how you present it that makes it original.
There is a huge difference between wanting to make art to sell and display and wanting to teach. If you want to make art, make art. If you don't want to worry about people "stealing" your ideas than DO NOT TEACH. You don't want to teach if this is even a glimmer of a thought in your head. You want to be a professional artist, DO THAT instead.
If you want to teach, you had better think about it pretty damn hard and long and figure out if it's really what you want to do. People pay you their hard earned money to learn from you. You had better have your shit together before you jump into the pool. LEARN EVERYTHING that you can. LEARN THE RULES-yes, I said that, too. THERE ARE RULES with art. My attitude has always been, "Learn the rules and then learn how to break them. Once you do that, YOU CAN DO ANYTHING." That being said, if you teach you can't worry about what is done with your material. Really. Yes, it's one thing to be pissed (and I would be pissed, after all, I'm a redhead) if someone took your handouts and taught in your style and claimed it as their own. It's another thing if someone takes the ideas you show them, works at it, and pushes it to another level. Remember that Picasso quote, "Good artists copy. Great artists steal." Translate that to take the ideas and make them your own. See how far you can push it. That's what a good teacher does. A teacher teaches and lets go of the material.
Nothing is original. Nothing is unique. I don't believe in copyright (I don't believe current copyright laws benefit everyone in the way that they were set up to. Instead they benefit a small handful of people and those people are the ones with the most amount of money and power who can change the laws to benefit themselves). All that said, I work very hard to make my classes top notch. I may not make much money at it compared to the amount of work that I do (I make at or below minimum wage every year) but I teach because I LOVE IT. I love seeing what my students do with the ideas. I love how what I share with them translates in their own mind out onto their pages of their books. I always say what I mean and mean what I say, and MY STUDENTS ARE THE BEST!
I'd add more to this, but these are my feelings in a nutshell.
Corita Kent sums it up better than I ever could:
One of my biggest lessons is that I've learned to let go. I've learned that holding onto things that you can't control doesn't help you or those around you.
I've learned that the number one priority of a teacher is to teach. You can't worry about what will happen to the material once you've let it out into the world. Besides, nothing is original. Really. There, I've said it! NOTHING IS ORIGINAL. It's how you present it that makes it original.
There is a huge difference between wanting to make art to sell and display and wanting to teach. If you want to make art, make art. If you don't want to worry about people "stealing" your ideas than DO NOT TEACH. You don't want to teach if this is even a glimmer of a thought in your head. You want to be a professional artist, DO THAT instead.
If you want to teach, you had better think about it pretty damn hard and long and figure out if it's really what you want to do. People pay you their hard earned money to learn from you. You had better have your shit together before you jump into the pool. LEARN EVERYTHING that you can. LEARN THE RULES-yes, I said that, too. THERE ARE RULES with art. My attitude has always been, "Learn the rules and then learn how to break them. Once you do that, YOU CAN DO ANYTHING." That being said, if you teach you can't worry about what is done with your material. Really. Yes, it's one thing to be pissed (and I would be pissed, after all, I'm a redhead) if someone took your handouts and taught in your style and claimed it as their own. It's another thing if someone takes the ideas you show them, works at it, and pushes it to another level. Remember that Picasso quote, "Good artists copy. Great artists steal." Translate that to take the ideas and make them your own. See how far you can push it. That's what a good teacher does. A teacher teaches and lets go of the material.
Nothing is original. Nothing is unique. I don't believe in copyright (I don't believe current copyright laws benefit everyone in the way that they were set up to. Instead they benefit a small handful of people and those people are the ones with the most amount of money and power who can change the laws to benefit themselves). All that said, I work very hard to make my classes top notch. I may not make much money at it compared to the amount of work that I do (I make at or below minimum wage every year) but I teach because I LOVE IT. I love seeing what my students do with the ideas. I love how what I share with them translates in their own mind out onto their pages of their books. I always say what I mean and mean what I say, and MY STUDENTS ARE THE BEST!
I'd add more to this, but these are my feelings in a nutshell.
Corita Kent sums it up better than I ever could:
Comments
( yes, those numbers are very real) I always share with my students my personal experience, frustration, and what I learned taking that class with Jesse..and you know, after all is said and done there has not been ONE painting that even comes close to what Jesse does. And there never will be..that is Jesses gift and only he can create like that. But every one now knows who Jesse Reno is. And I know of several people that have purchased original paintings from him after taking my class and have signed up for his workshops! There was absolutely no financial windfall or gain for me with creating and teaching this project, but there was great satisfaction in knowing that I have exposed ALOT of people, in all ages, from all walks of life to an artist they probably never would have heard about..and all because this artist was secure enough in his work to say " Teach It Forward":)
Jean (WildRumpusing)
Thanks for sharing your views.
Emie
I totally agree w/you on what you said about not worrying about students stealing from you. If I learn something at an art retreat, I expect that I can then use that same skill to create my own work. That is not stealing.
I can't say how much I appreciate your generous spirit, not only in sharing your pages, but in sharing your ideas, your thoughts on products, your book recs, all that.
And now I will label myself your #1 fan, and go buy a red wig to prove it. Okay, I'm kidding about that part. I promise. lol
was just reading Corita's book last night....thank you for your message. I am tired of other artists with blogs that teach then post a lengthy rant after their classes about how others are 'stealing' their work. The whole 'have my cake and eat it too' is just ridiculous. I so enjoyed taking your recent class and when I showed my results to a friend I told her first that this was your 'style' of working and that I know it has helped me look at composition differently in my paintings. You taught me something new about composition that I will use to grow my work. thank you for all you share and teach to help others grow in art.Missy from the bayou
I completely agree with your comments regarding copyright. Now if we could just find a way to change that law or start a grass roots artists' movement that would overwhelm legislators.
Rachel
(Hope to see you in Colorado!)
I didn't write this to toot my own horn but to voice my own opinions on something that I've been stewing about for some time that only seems to be getting worse lately.
I hope that this post encourages more dialogue and less finger pointing.
Kelly
I was so overjoyed with what I was doing. I had never painted and I was enthralled by the color layering and using the masks. I was then off to find paper and collage materials -- phase 2 of the terror. I walked by you and you muttered, "Don't let anyone tell you what to do." When I went back to my table the woman started again. Even though I am in my fifties, I said, "Kelly told me to do my own thing and not to listen to anybody." Hahaha, it was like I was saying, Mom said I could. I have a million books on techniques but I never got near the results I got from taking classes with you. I love my journals.
I am so happy that I was able to learn from you. You know how afraid I was to collage (and still am a bit) but I do it and love it. BECAUSE YOU TAUGHT ME TO. I am now connected to a whole new part of the universe.
xxoo Susan
There really are no original ideas...just original ways of making them your own.
I don't take many classes as I'm a loner when it comes to being creative...but one day I'd love to take a class from you...you seem to be so open & sharing in your blog & I'm sure that translates into your classes.
Bravo!
Debbie
===^..^===
Emily
Fine arts has always taught by teaching the techniques or copying the old masters. How else are students supposed to learn?
Once techniques are learned students develop their own style.
Ideas cannot be copyrighted, but I do believe that artist's work should be. Current laws fail to protect individual work.
I remain confused, the movement of art journaling is mixed media in a journal as opposed to canvas. That "idea" has been there for centuries. How can something be "stolen", that has been around for years?